Roee Rosen’s work blends reality and fiction, cultural politics and sexuality, with the aim of questioning the construction of history and identity.

In Tse, two women speak openly about their sexual preferences and experiences related to sadism and masochism. In the film’s main sequence, Yoana, the dominatrix, strikes Ela, the submissive, ever more painfully, and a scene of erotic pleasure turns into a full-blown exorcism.