Everything is a contested narrative: family, nature, the village, the city. From the most intimate sphere to the collective identity of a city, these films attempt to portray what is absent, yet defines us: from the absurdity of everyday life to foundational images and spaces. Their directors seek to understand themselves and the world they inhabit, in a gesture where filmmaking becomes an act of resistance against oblivion, manipulation, and emptiness.

Retales, Juanjo Giménez

Pedro Tomás explica el mundo, Kornelijus Stučkus

No als poalets, Laura García Andreu

Promeses i accidents. Teatres de Campanya – Interferència 01, Alex Sardà