A group of girls from a shelter in Bogotá imagine the life of a fictional friend named Alis, with whom they get the chance to dream of a better future.
Efthymia Zymvragaki agrees to film a man named Ernesto who confesses to being a perpetrator of domestic violence and who confronts her with her own family.
‘Babajanja’ is a dreamlike journey back to the memories, the fairy tales and the legends that were part of the childhood of Ante Zlatko Stolica, the short film’s director.
Three dancers want to create a piece of choreography about the threshold between sanity and madness and invite three women diagnosed with a mental disorder to take part.
A Muslim filmmaker in the middle of a crisis of faith visits a monastery in Japan where a Buddhist sect lives in seclusion. There he confronts the conflict between spirituality and worldliness.
In a forest on the outskirts of Barcelona, a shepherd and his flock live next to an animal health research centre where a Covid-19 vaccine is being developed.
‘It has passed, and it’s fine’ moves between archive material and the daily life of a hairdressing salon to tell us the collective memory of the women who worked in the metalworking plants of Ózd, before they closed.
For 14 years we follow Katka in her struggle to overcome her drug addiction. When she becomes pregnant, a horizon of hope seems to open up in her life.
*The film contains images that some viewers may find disturbing.
‘L’art de l’antídot’ takes us into the story of Agus and her photographic practice as a therapeutic art form after an accident that changed her life and her relationship with her body.
A brilliant, witty portrait of village life in Cabrianes: the grandmothers’ daily walks, the church, the vegetable gardens and the parties for older people.
In 2019 the Irish investigative journalist and LGBTIQ+ activist Lyra McKee was murdered by the New IRA. The film looks into the reasons behind her tragic death.
Abastumani is a century-old mansion where people with tuberculosis live in isolation. One day an oligarch discovers the building and decides to buy it.
While Nikita is conscripted into the Belarusian army, Svetlana fights for redress for the suicide of her son, a victim of a military tradition of violent hazing.
